ARCHIVE

IMAGES : X-Field Exhibition Archive, 2010. Photo: Marc Mor and Ramesh Ayyar and Kiang How (Elvin) Tan

The archive is a small room adjacent to the main exhibition gallery which captures the spirit of the X_Field project. It documents the discussions of the key participants throughout the exhibition and cites important influences, and past projects as a legacy to the new work. Contributions are included from like-minded Australian practitioners and international collaborators to set the tone for the touring exhibition.

IMAGE: X-Field Exhibition Archive Elevation, 2010.

IMAGE: X-Field Exhibition Archive Wall Text, 2010.

The works utilise a wide range of media: video, photography, audio, drawings, constructions, models, text, and books. All projects are composed of small single images clustered to form adjacencies and slippages with adjacent complementary work. It forces you to get up close and examine, though from afar it reads as a complex diagram of relationships containing gaps or space for speculation – invitations to add, remove or rearrange.

We summarise our combined practices into five categories in large vinyl lettering on the wall and in the following tabs. Our differing perspectives and nuances within these fields are noted in the smaller words (listed below) that both describe and provoke. A combined bibliography anchors the project at the base of the room.

X-Field Group Combined Bibliography

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Abrahams, J & P Hall, Else/Where: Mapping New Cartographies of Networks and Territories, University of Minnesota Design Institute, Minneapolis, 2006.

Abrioux, Yves 1997, ‘Notes Towards a Definition of the Gardenesque’, in Anne de Charmant (ed.), Art and The Garden: Travels in the Contemporary Mindscape, (Art and Design, Vol. 57), Academy Editions, London, pp. 6-9.

Acconci, Vito 1976, think/leap/re-think/fall, University Art Galleries and Wright State University, Dayton.

Adams, William Howard 1991, Roberto Burle Marx: The Unnatural Act of the Garden, Museum of Modern Art, New York.

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Agamben, Giorgio 2004, The Open: Man and Animal, Stanford University Press, Stanford, California.

Alberti, Leon Battista 1972, De Pictura and De Statua, trans. Cecil Grayson, Phaidon, London.

Alberti, Leon Battista 1991, On the Art of Building in Ten Books, trans. Joseph Rykwert, Neil Leach, and Robert Tavernor, MIT Press, Cambridge, Massachusetts.

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Allen, Stan 1999, ‘Field Conditions’, Points + Lines: Diagrams and Projects for the City, Princeton Architectural Press, New York, pp. 90-137.

Allen, Stan and Agrest, Diana 2000, Practice: Architecture, Technique and Representation, G+B Arts International, Amsterdam.

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Alÿs, Francis 2005, When Faith Can Move Mountains / Cuando la fe mueve montañas, (ed.) Cuauhtémoc Medina, Turner Editions, Madrid.

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Anderson, Charles & LeAmon, Simone (eds.), 2003, Quiet Collision, exhibition publication. Essays by: Roberto Pinto, Stuart Koop, & Alison Kubler, Melbourne/Milan.

Anderson, Charles & LeAmon, Simone 2001 Crossing House, project publication, City Of Maribyrnong.

Anderson, Charles & van Schaik, Jan 2000, kenchiku wa gomi no sei-sei, exhibition publication, Melbourne Design Park.

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Anderson, Charles and Carter, Paul. 1995, dis/appearance: waiting room #02, exhibition publication, Wollongong City Art Gallery, Melbourne.

Anderson, Charles and Carter, Paul. 1998, dis/appearance: waiting room #04, exhibition publication, Anna Schwartz Gallery, Melbourne.

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